by Carrie Fountain

The wasps outside
the kitchen window
are making that
thick, unraveling sound
again, floating in
and out of the bald head
of their nest,
seeming not to move
while moving,
and it has just occurred
to me, standing,
washing the coffeepot,
watching them hang
loosely in the air—thin
wings; thick, elongated
abdomens; sad, down—
pointing antennae—
that this
is the heart’s constant
project: this simple
learning; learning
how to hold
and hope together;
to see on the unharmed
surface of one
the great scar
of the other; to recognize
both and to make
something of both;
to desire everything
and nothing
at once and to desire it
all the time;
and to contain that desire
fleshly, in a body;
to wash it and rest it
and feed it; to learn
its name and from whence
it came; and to speak
to it—oh, most of all
to speak to it—
every day, every day,
saying to one part,
“Well, maybe this is all
you get,” while saying
to the other, “Go on,
break it open, let it go.”

[via The Writer’s Almanac]